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MAUGHAM, W. Somerset.

The Land of Promise: A Comedy in Four Acts.

London: William Heinemann , 1922.

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Out of Stock Item Number: RRB-152300
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First Published Edition of W. Somerset Maugham's The Land of Promise; Maugham's Own Copy from the Villa Mauresque
First published edition of Maugham’s comedy The Land of Promise, the story of a refined Englishwoman who emigrates to the Canadian prairie and a marriage born of hardship. Duodecimo, in the original champagne wrappers lettered in brown. The author’s own copy, from his library at the Villa Mauresque and dispersed with the contents of the villa in November 1967. Villa Mauresque, the magnificent Moorish-style estate on the Cap Ferrat peninsula of the French Riviera, was purchased by W. Somerset Maugham in 1926 and remained his primary residence until his death in 1965, serving as the physical and social center of his later life and career. Maugham transformed the property through extensive renovation, furnishing it with an exceptional art collection encompassing works by Picasso, Matisse, Renoir, and Toulouse-Lautrec and laying out elaborate gardens that became as celebrated as the house itself. During the interwar decades the villa received a legendary succession of guests including Winston Churchill, Noël Coward, Ian Fleming, and the Duke and Duchess of Windsor, making it one of the most famous literary residences in Europe and the most tangible expression of the wealth, cosmopolitanism, and social preeminence that Maugham achieved at the height of his fame. Accompanied by a letter of provenance from the distinguished London booksellers Bertram Rota stating that the book was the property of the author, dated December 1967. In very good condition with toning and sunning to the wrappers. Housed in a custom cloth clamshell box with gilt titles. From the collection of Craig V. Showalter with his bookplate to the rear pastedown of the clamshell box.
The Land of Promise, a comedy in four acts, was inspired by W. Somerset Maugham’s 1912 journey across the Canadian prairies. First produced in the United States in 1913 and staged in London at the Duke of York’s Theatre in 1914, it follows Norah Marsh, a genteel Englishwoman reduced to poverty, who emigrates to her brother’s farm on the Canadian frontier and, rather than endure dependence, enters a marriage of convenience with a hired hand. On the hard prairie her pride and refinement are tested against the realities of pioneer life. One of Maugham’s most successful plays of the period, it reflects the Edwardian preoccupation with emigration and the contrast between Old World gentility and New World labor, and it was twice adapted for the screen.
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