Showing items 5400-5424 of 5698
Princeton, NJ : Princeton University Press, 1976.
First edition. Octavo, original cloth. Inscribed by the author on the half title page to another poet “Lisa Colt with best wishes, Robert Pinsky November 1977.” Fine in a near fine dust jacket.
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Cologne, Germany : Taschen, 2007.
First edition of this collection of Salgado’s black and white images of Africa taken over the course of thirty years. Oblong quarto, original boards. Boldly signed by Sebastiao Salgado on the half-title page. Fine in a fine dust jacket. Edited by Leila Salgado and Mia Couto. Features text by Mia Couto in English, French, andContinue reading "Africa."
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New York : Aperture, 1978.
First edition of this classic work. Oblong quarto, original cloth, illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket.
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New Haven : Yale University Press, 1961.
First edition of this work by the famed artist. Octavo, original boards. Association copy, inscribed by the author to Henri Cartier-Bresson, “For Henry Cartier-Bresson Josef Albers May 20, ‘68.” Cartier-Bresson was working for Magnum Photographers when he photographed Josef Albers at his home in Connecticut in May of 1968. An outstanding association copy, linking Albers,Continue reading "Despite Straight Lines."
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New York : Ziff-Davis Publishing Company, 1961.
First edition of the famed photographer’s autobiography. Octavo, original cloth, illustrated throughout. Presentation copy, inscribed by the author on the front free endpaper, “To Frances Colley Weegee.” Near fine in a near fine dust jacket with light shelfwear.
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San Francisco : Straight Arrow Books, 1973.
First Edition. Oblong quarto, original photographic stiff paper wrappers. Inscribed by the photographer, “For William Enjoy “William” Bill Owens 2008.” Laid into is a photograph signed by Bill Owens on the verso. In excellent condition with only light wear.
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New York : Community Press, 1965.
First edition of the photographer’s seminal work, one of the great photobooks of the second half of the twentieth century. Tall quarto, original gray cloth. Signed by Dave Heath on the half-title page. Fine in a very good dust jacket that shows some light rubbing to the front and rear panel.
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Aspen : Baldwin Gallery, 2006.
First edition. Limited Edition 1 of 1,000 copies, this being number 265. Quarto. Fine in a fine dust jacket without wear. Original 8×8 print signed by both Starn brothers. Comes with the original envelope from the Starn brothers office.
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Atlanta : Nexus Press, 1987.
First edition. Folio, original glossy illustrated boards. Limited to 1,000 copies. Signed by Bill Burke. In fine condition.
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Houston : Times Books, 1987.
First edition of Sternfeld’s acclaimed first photobook. Oblong quarto, original cloth, with 55 plates. Fine in a near fine dust jacket that shows a small closed tear. Signed by Joel Sternfeld on the title page.
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Cape Town : Struik, 1981.
First edition. Original beige cloth. Signed by the photographer, David Goldblatt. Near fine in a near fine dust jacket.
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New York : The Whitney Museum of American Art and Pace Editions, 1971.
First edition of Samaras’ multimedia self-portrait, featuring a self-interview, autobiography, and hundreds of Polaroid images, both black-and-white and in color. Large quarto, original embossed pictorial cloth, mounted cover photograph. Association copy, inscribed by Lucas Samaras to Les Navarre on the title page. Navarre was the director of the Harry Abrams Art Gallery and a closeContinue reading "Samaras Album."
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New York : Museum of Modern Art, 1966.
First edition. Square quarto, original cloth. Inscribed by the author to Robert Lewis; former head of the Yale School of Drama, author, actor, and founder of the Actor’s Studio, “with warm good regards.” Near fine in a very good price-clipped dust jacket. The black jacket almost inevitably shows wear, this is a very nice exampleContinue reading "The Photographer’s Eye."
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Los Angeles : Edward Ruscha, 1966.
First edition, second issue of the artist’s classic work. Small octavo, original stiff self-wrappers, original slipcase. Association copy, inscribed by Ruscha to his aunt, “For Aunt Carol Ed Ruscha.” One continuous accordion-fold page composed of glued paper segments with black-and-white photographs of every building on the sunset strip. Near fine in a very good slipcase. AnContinue reading "Every Building on the Sunset Strip."
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New York : Scalo, 2002.
First edition of this work by the award-winning photographer. Thick oblong quarto, original illustrated boards, original slipcase. Inscribed by Gilless Peress. Illustrated with nearly 1000 full-color and black-and-white photographic plates with images by noted photographers such as Gilles Peress, Susan Meiselas and Jeff Mermelstein. Fine in a fine slipcase. Parr & Badger II, 232.
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New York : Scalo , 1998.
First edition of this moving record of the atrocites that befell the Balkans in the 1990’s. Thick octavo, original illustrated boards. Signed by all three contributors: photographer Gilles Peress; Eric Stover, who contributed the text and Justice Richard Goldstone, who contributed the foreword. In fine condition.
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Paris : Contrejour, 1984.
First French edition, published simultaneously with the American edition of the photojournalist’s first book. Folio, original stiff photographic wrappers, photographic endpapers. Inscribed by the photographer, Gilles Peress. In fine condition.
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New York : Aperture, 1983.
First American edition, published simultaneously with the first French edition of the photojournalist’s first book. Folio, original stiff photographic wrappers, photographic endpapers. Inscribed by Gilles Peress. In fine condition.
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San Francisco : Straight Arrow Press, 1973.
First Edition. Oblong quarto, original photographic stiff paper wrappers. Inscribed by Bill Owens on the front free endpaper, “For Dave Bill Owens Can you avoid Suburbia.” In very good condition. Laid in is the photographer’s business card.
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New York : Holt, Rinehart and Winston, 1970.
First edition of Lyon’s photobook on convicts, including life in a Texas prison. Oblong, quarto. Original, illustrated wrappers as issued. In good condition with some wear to the foot of the spine and overall light soiling. Inscribed and dated by Danny Lyon. Roth 101; Parr & Badger, Photobook II.
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New York : Powerhouse, 2001.
First Edition of this handsome retrospective paying tribute the photographers work. Large quarto, original gray cloth with cover photographic plate, illustrated throughout. Signed by Helen Levitt on the title page. In near fine condition.
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Durham, NC : Duke University Press, 1987.
First edition of the photographer’s second major photobook. Quarto, original cloth. Signed by Helen Levitt on the title page. Fine in a fine dust jacket. Not to be confused with the more common paperback edition. Helen Levitt and the author James Agee first collaborated in 1945 on a documentary film set in Harlem, called “InContinue reading "In the Street."
Read more![Jazzlife [Jazz Life].](https://i0.wp.com/raptisrarebooks2.bvbeta.com/wp-content/uploads/2015/06/jazzlife-jazz-life-william-claxton-first-edition-signed-1961-2.jpg?fit=1000%2C800&ssl=1 "Jazzlife [Jazz Life].")
Offenburg : Burda Druck und Verlag, 1961.
First edition of Claxton’s seminal photobook on jazz. Quarto, original black cloth, pictorial front endpapers. Profusely illustrated in color and black and white. Presentation copy, inscribed by the photographer on the half-title page, “For _______, William Claxton.” Near fine in a very good dust jacket.
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New York : Random House, 1965.
First edition of this classic work. Octavo, original cloth. Warmly Inscribed by both Arthur Laurents and Stephen Sondheim on the half-title page. Fine in a near fine bright jacket without the fading usually encountered with the spine.
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