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PINTER, Harold. [Alan Schneider].

The Birthday Party and The Room.

New York: Grove Press, Inc , 1968.

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Out of Stock Item Number: RRB-152232
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The Grove Press Revised Edition of The Birthday Party and The Room; Inscribed by Harold Pinter to Director Alan Schneider
The Grove Press revised edition of the Nobel Prize-winning playwright's modern classic. Octavo, original pictorial wrappers. Association copy, inscribed by the author on the title page, "October 1968 To Alan from Harold." Alan Schneider (1917-1984) was an American theater director of Ukrainian birth whose extraordinary career made him the foremost interpreter of the European avant-garde theater on the American stage, serving as the primary American theatrical advocate for Samuel Beckett, Edward Albee, and Harold Pinter across three decades of work that fundamentally shaped the course of serious American theater. Educated at Johns Hopkins and Cornell, Schneider forged his artistic identity through a sustained transatlantic engagement with the most challenging and formally innovative dramatists of the postwar era, and his relationship with Pinter's work was among the most productive of his career. He directed the American premiere of The Birthday Party as well as The Dumb Waiter, The Collection, and a trilogy of Pinter plays under the title Other Places, comprising One for the Road, Family Voices, and A Kind of Alaska, establishing himself as the director whose theatrical intelligence and sympathy for the ambiguities of Pinteresque drama made him the natural American counterpart to the directors who had championed Pinter's work in Britain. His productions of The Birthday Party and The Room brought to American audiences the essential qualities of Pinter's early theatrical vision — the comedy of menace, the radical withholding of explanatory context, the menace beneath the mundane — at a moment when the American theater establishment was only beginning to understand what Pinter was doing, and Schneider's advocacy for these works in their American premieres played a decisive role in securing Pinter's transatlantic reputation. In near fine condition. An exceptional association copy.
The Birthday Party and The Room (Methuen, 1960; Grove Press, 1961) gathers Harold Pinter's first full-length play alongside the one-act drama that preceded it and inaugurated his career, and together the two works constitute the foundational documents of what critics came to call Pinteresque theater, establishing with remarkable assurance from the outset the atmospheric and formal qualities that would define his output across five subsequent decades. The Room, first produced in 1957, and The Birthday Party, first produced in 1958 and closing after only eight performances before being enthusiastically rescued by the critic Harold Hobson, share a preoccupation with domestic enclosure, the intrusion of menace into seemingly ordinary domestic or institutional settings, and the deliberate withholding of explanatory context that forces audiences to inhabit a world of radical uncertainty. The Birthday Party is classified as a comedy of menace, characterized by Pinteresque elements such as ambiguous identity, confusions of time and place, and dark political symbolism, and was subsequently adapted for the screen in a celebrated 1968 film directed by William Friedkin.
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