Showing items 384-408 of 434
1966.
Photograph of President Harry S. Truman having his arm raised at the 1947 Democratic National Convention. Inscribed by Truman, “To Joseph J. Fracelli, From Harry S. Truman, 12/7/66.” On the verso of the photograph bears a Harry S. Truman Library stamp. It measures 10 inches by 8 inches. In near fine condition.
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Buffalo, NY : CEPA Gallery, 1980.
First edition. Octavo, original wrappers as issued. In fine condition.
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Large photograph of Thomas Edison, signed by him. Matted and framed. The entire piece measures 16 inches by 20 inches.
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New York : East River Press, 1975.
First edition. Quarto, original wrappers as issued. Inscribed by Man Ray on the half title page, “For Roberta with thanks for her interest in this resurrection! Man Ray 1976.” In near fine condition with light shelfwear. Uncommon signed and inscribed, as Man Ray passed away in November of 1976.
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1868.
Signed “Charles Dickens (with a large flourish) Washington, D.C. Seventh February 1868.” Large oval portrait photograph measures 13 inches by 13 inches. Matted in a walnut frame which measures 24 inches by 27 inches. On his Washington tour Dickens met President Andrew Johnson and signed this photograph on the date of that meeting, February 7, whichContinue reading "Charles Dickens Signed Portrait Photograph."
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New York : The Eakins Press Foundation, 1976.
First edition, one of only 2000 copies, with 213 photogravure plates. Oblong folio, original blue-gray cloth. In fine condition. Signed by Lee Friedlander.
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New York : Essential Books/ Duell, Sloan and Pearce, 1956.
First edition. Octavo, original cloth. Inscribed by the author on the half title page, “To Sam Clemente Weegee 1956.” An excellent near fine example with the original very good dust jacket.
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New York : Essential Books, 1945.
First edition of this classic photography book. Octavo, original cloth, illustrated. Inscribed and dated in 1946 by Weegee. An excellent tight example that shows some rubbing and wear.
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Germany : Steidl Publishers, 2004.
First edition of this volume, which commemorates the first major exhibit of Frank’s work in Britain. Oblong quarto, original flexible photographic wrappers Inscribed and dated in 2007 by Robert Frank on the title page. In fine condition, issued without a dust jacket.
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Madrid : Centro de Arte Reina Sofia, 1988.
First edition. Oblong quarto, original stiff cardboard. In near fine condition. Introduction by Juan Miguel Hernandez Leon. Exhibition of the artist Christian Boltanski at Centro de Arte Reina Sofia 1988.
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Cologne, Germany : Taschen, 2007.
First edition of this collection of Salgado’s black and white images of Africa taken over the course of thirty years. Oblong quarto, original boards. Boldly signed by Sebastiao Salgado on the half-title page. Fine in a fine dust jacket. Edited by Leila Salgado and Mia Couto. Features text by Mia Couto in English, French, andContinue reading "Africa."
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New York : J. J. Augustin Publisher, 1945.
First edition of Kertész’s first book published in America, with 103 black-and-white photogravure plates,featuring “some of Kertész’s most famous photos” (Roth 101). Quarto, original cloth. Signed by Andre Kertesz on the title page. Edited by George Davis. Very good in a very good dust jacket with a few small chips and wear to the spineContinue reading "Day of Paris."
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New York : Aperture, 1978.
First edition of this classic work. Oblong quarto, original cloth, illustrated throughout. Lengthily inscribed by Chauncey Hare on the title page. Near fine in a very good dust jacket.
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New Haven : Yale University Press, 1961.
First edition of this work by the famed artist. Octavo, original boards. Association copy, inscribed by the author to Henri Cartier-Bresson, “For Henry Cartier-Bresson Josef Albers May 20, ‘68.” Cartier-Bresson was working for Magnum Photographers when he photographed Josef Albers at his home in Connecticut in May of 1968. An outstanding association copy, linking Albers,Continue reading "Despite Straight Lines."
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New York : Ziff-Davis Publishing Company, 1961.
First edition of the famed photographer’s autobiography. Octavo, original cloth, illustrated throughout. Presentation copy, inscribed by the author on the front free endpaper, “To Frances Colley Weegee.” Near fine in a near fine dust jacket with light shelfwear.
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San Francisco : Straight Arrow Books, 1973.
First Edition. Oblong quarto, original photographic stiff paper wrappers. Inscribed by the photographer, “For William Enjoy “William” Bill Owens 2008.” Laid into is a photograph signed by Bill Owens on the verso. In excellent condition with only light wear.
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New York : Community Press, 1965.
First edition of the photographer’s seminal work, one of the great photobooks of the second half of the twentieth century. Tall quarto, original gray cloth. Signed by Dave Heath on the half-title page. Fine in a very good dust jacket that shows some light rubbing to the front and rear panel.
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Aspen : Baldwin Gallery, 2006.
First edition. Limited Edition 1 of 1,000 copies, this being number 265. Quarto. Fine in a fine dust jacket without wear. Original 8×8 print signed by both Starn brothers. Comes with the original envelope from the Starn brothers office.
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Atlanta : Nexus Press, 1987.
First edition. Folio, original glossy illustrated boards. Limited to 1,000 copies. Signed by Bill Burke. In fine condition.
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Houston : Times Books, 1987.
First edition of Sternfeld’s acclaimed first photobook. Oblong quarto, original cloth, with 55 plates. Fine in a near fine dust jacket that shows a small closed tear. Signed by Joel Sternfeld on the title page.
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Cape Town : Struik, 1981.
First edition. Original beige cloth. Signed by the photographer, David Goldblatt. Near fine in a near fine dust jacket.
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New York : The Whitney Museum of American Art and Pace Editions, 1971.
First edition of Samaras’ multimedia self-portrait, featuring a self-interview, autobiography, and hundreds of Polaroid images, both black-and-white and in color. Large quarto, original embossed pictorial cloth, mounted cover photograph. Association copy, inscribed by Lucas Samaras to Les Navarre on the title page. Navarre was the director of the Harry Abrams Art Gallery and a closeContinue reading "Samaras Album."
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New York : Museum of Modern Art, 1966.
First edition. Square quarto, original cloth. Inscribed by the author to Robert Lewis; former head of the Yale School of Drama, author, actor, and founder of the Actor’s Studio, “with warm good regards.” Near fine in a very good price-clipped dust jacket. The black jacket almost inevitably shows wear, this is a very nice exampleContinue reading "The Photographer’s Eye."
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Los Angeles : Edward Ruscha, 1966.
First edition, second issue of the artist’s classic work. Small octavo, original stiff self-wrappers, original slipcase. Association copy, inscribed by Ruscha to his aunt, “For Aunt Carol Ed Ruscha.” One continuous accordion-fold page composed of glued paper segments with black-and-white photographs of every building on the sunset strip. Near fine in a very good slipcase. AnContinue reading "Every Building on the Sunset Strip."
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