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DICKENS, Charles.

Oliver Twist; or, The Parish Boy's Progress.

London: Richard Bentley, 1838.

$7,500.00
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First Edition, First Issue of Dickens's Oliver Twist; With the ''Boz'' Title-Pages and the Suppressed ''Fireside'' Plate
First edition, first issue of Dickens’s second novel, the immortal story of the workhouse orphan Oliver Twist and the first English novel to take a child as its central character. A first issue, with “Boz” on the title-pages and the suppressed “Fireside” plate. Octavo, three volumes bound in full twentieth-century polished calf gilt by Zaehnsdorf, red and green morocco spine labels, elaborate gilt tooling to the spine in six compartments within raised gilt bands, top edges gilt, marbled endpapers, etched frontispiece to each volume and twenty-one further plates after George Cruikshank, half-titles to volumes I and II with advertisements to the verso and further publisher’s advertisements in volumes I and III. The “Fireside” plate, present here, was engraved by Cruikshank in haste when Bentley resolved to issue the novel in volume form before its serialization in Bentley’s Miscellany had concluded; Dickens saw the plates only on the eve of publication and objected to it, and Cruikshank duly replaced it, retaining the title “Rose Maylie and Oliver,” so that the original appears only in the earliest issue. In very good condition, with some minor offsetting and spotting and only minor rubbing to the bindings. A handsome set of one of the best-loved novels in the English language. Eckel, pp. 59-60; Gimbel A27; Smith I:4.
Oliver Twist, Dickens’s second novel, was serialized in Bentley’s Miscellany from 1837 to 1839 and published in three volumes in 1838, before the serial run had even concluded. A searing depiction of the London underworld and the cruelty of the Poor Laws, it follows the workhouse orphan Oliver through the clutches of the undertaker, the pickpocket Fagin, the brutal Bill Sikes, and the doomed Nancy to his eventual rescue and restoration. The first English novel to take a child as its protagonist, it remains among the most beloved and most frequently adapted of all Dickens’s works, and George Cruikshank’s celebrated etchings are inseparable from its enduring fame.
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