Showing items 384-406 of 406
London : J.M. Dent & Sons, 1940.
First edition of this classic work. Octavo, original cloth. Boldly signed by Dylan Thomas on the front free endpaper. Near fine in a near fine dust jacket. Housed in a custom half morocco chemise and clamshell box. Rare and desirable signed.
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Rare print of Rudyard Kipling’s poem Being a Man, more commonly referred to as “If-“. One page, typed. Boldly signed by author Cormac McCarthy at the bottom right corner. Cormac McCarthy (1933–2023) was an American novelist whose stark prose and often violent themes earned him recognition as one of the most influential literary voices ofContinue reading "Being a Man [If-]."
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Montreal : McGill Poetry Series by Contact Press, 1956.
First edition of Cohen’s first book, which explores philosophy, sexuality, death, a world of violent contrasts that would define his future literary and musical careers. Octavo, original cloth. With five full-page line illustrations by Freda Guttman. Presentation copy, inscribed by the author in the month of publication on the front free endpaper, “For Anton Raft,Continue reading "Let Us Compare Mythologies."
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Brooklyn, New York : Fowler and Wells, 1856.
Rare second edition, one of 1000 copies of the most important volume in American poetry, with an additional twenty poems not found in the first edition as well as a new section of correspondence and reviews entitled “Leaves-droppings” that begins with the famous letter from Emerson containing the salutation “I greet you at the beginningContinue reading "Leaves of Grass."
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Montreal : McGill Poetry Series by Contact Press, 1956.
First edition of Cohen’s first book, which explores philosophy, sexuality, death, a world of violent contrasts that would define his future literary and musical careers. Octavo, original cloth. With five full-page line illustrations by Freda Guttman. Presentation copy, warmly inscribed by the author on the front free endpaper, “For my friend Jo, Leonard January 1957.”Continue reading "Let Us Compare Mythologies."
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New York : Boni & Liveright, 1922.
First edition, first issue of one of the most influential works of the 20th century, from the library of poet Allen Tate. Octavo, original black flexible cloth, lettered in gilt. One of one thousand copies, this is number 373. Contains the word “mountain” spelled correctly on page 41, “water” without the ‘a’ on page 22,Continue reading "The Waste Land."
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New York : George P. Putnam, 1848.
First edition, first issue of Poe’s classic work. Duodecimo, original publishers blind stamped black cloth with gilt lettering to the spine. First issue, without the review for Eureka on page 2 of the 16 page catalogue at the end of the book, but reads simply: “Poe. — Eureka, A Prose Poem: Or the Physical andContinue reading "Eureka: A Prose Poem."
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London : Sunday Referee and the Parton Press, 1936.
First edition, first issue of Thomas’ first book, one of 250 copies. Octavo, original cloth. Association copy, inscribed by the author to Desmond Hawkins, who was Dylan’s literary editor and close friend, with a playful (and perhaps drunken) inscription which attempts to conflate their names, maybe in an effort to create a new single personaContinue reading "Eighteen Poems."
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London : Thomas Davison [i.e., John Murray], 1819-1821 (Cantos I-V, Volumes I-II)/John Hunt, 1823-24 (Cantos VI-XVI, Volumes III-VI).
Scarce complete first edition set of Byron’s great work which was widely criticized as immoral upon publication and is now considered one of the greatest poems of the Romantics; from the library of American writer Erica Jong. Volume one was produced in quarto format and the subsequent 5 volumes in octavo (Davison abandoned the quartoContinue reading "Don Juan."
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New York : Boni and Liveright, 1922.
First edition, second impression with the ‘a’ dropped from “mountain” on page 41, and “water” with the ‘a’ on page 22 of one of the most influential works of the 20th century, number 595 of 1000 copies. Octavo, original stiff black cloth, lettered in gilt. Fine in the scarce original dust jacket which is inContinue reading "The Waste Land."
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New York : W.W. Norton & Company, 1940.
First edition of Lorca’s masterpiece. Octavo, original cloth. Signed by fellow poet Leonard Cohen on the front free endpaper. Cohen was deeply influenced by the work of Lorca for the duration of his poetic and musical career. “Now, you know of my deep association and confraternity with the poet Federico Garcia Lorca. I could sayContinue reading "The Poet In New York and Other Poems."
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New York : George P. Putnam, 1848.
First edition, first issue of Poe’s classic work. Duodecimo, original publishers blind stamped black cloth with gilt lettering to the spine. First issue, without the review for Eureka on page 2 of the 16 page catalogue at the end of the book, but reads simply: “Poe. — Eureka, A Prose Poem: Or the Physical andContinue reading "Eureka: A Prose Poem."
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Montreal : McGill Poetry Series by Contact Press, 1956.
First edition of Cohen’s first book, which explores philosophy, sexuality, death, a world of violent contrasts that would define his future literary and musical careers. Octavo, original cloth, with five full-page line illustrations by Freda Guttman. Association copy, inscribed by the author in the month of publication on the front free endpaper to fellow poetContinue reading "Let Us Compare Mythologies."
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Boston : Houghton Mifflin and Company, 1906.
The manuscript edition of the writings of Henry David Thoreau. With the original manuscript sheet by Thoreau from his journal tipped-in to volume 1. The two page manuscript fragment comprises 58 lines from “Autumnal Tints,” in altered form, published in the Atlantic Monthly, October 1862, and collected in Excursions the following year. The fragment concludesContinue reading "The Manuscript Edition of The Writings of Henry David Thoreau."
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London : Oxford University Press, 1942.
First edition of this classic work, which discusses Milton’s Paradise Lost. Octavo, original green cloth. Boldly signed by C.S. Lewis on the front free endpaper. Near fine in a near fine dust jacket. From the library of noted collector William A. Strutz with his small bookplate to the pastedown. House in a custom half moroccoContinue reading "A Preface to Paradise Lost."
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London : The Centenary Pres, 1941.
Early printing of Lewis’s classic discussion of the nature of good and evil; inscribed by him with a quotation from Coventry Patmore’s poem The Angel in the House which had a profound influence on the development of Lewis’s Christian beliefs. Octavo, original publisher’s cloth. Signed by C.S. Lewis with a quotation from Coventry Patmore’s poemContinue reading "The Problem of Pain."
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New York : Harper & Row, Publishers, 1974.
First edition of the author’s first collection of children’s poetry. Stated first edition on the copyright page. Small quarto, original brown cloth, illustrated. Association copy, inscribed by Shel Silverstein with an original poem on the front free endpapers to the children of his editor and publicist William Cole, “For Alex and Rossa and Billy, IContinue reading "Where the Sidewalk Ends: Poems and Drawings."
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London : Macmillan and Co., 1876.
First edition of Carroll’s whimsical nonsense poem. Octavo, original publisher’s decorated cloth, all edges gilt, with nine illustrations by Henry Holiday. Near fine in the scarce original dust jacket. The jacket is complete with the top third of the front panel bent behind, hence the different shade of color. Copies of the first edition ofContinue reading "The Hunting of the Snark: An Agony in Eight Fits."
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New York : Horace Liveright, 1930.
First American edition of Crane’s landmark modernist epic. Octavo, original blue cloth with gilt titles to the spine and front panel, illustrated with three photographs by Walter Evans. Presentation copy, inscribed by the author on the front free endpaper one month after publication, “For Bob Thompson, from his friend always- Hart Crane, Brooklyn, April 30.”Continue reading "The Bridge: A Poem."
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New York : Wiley and Putnam, 1845.
First appearance in print of The Raven, one of the most famous and recognizable poems ever written, which Poe considered his finest poem, calling it “the greatest poem that was ever written.” Octavo, original wrappers. In keeping with the policy of The American Review which required that poems be published anonymously or with a pseudonym,Continue reading "The Raven. [In The American Review: A Whig Journal of Politics, Literature, Art and Science. No. II February, 1845."
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Paris : Mercure de France, 1913.
First edition of Apollinaire’s first collection of poems, signed by him and Pablo Picasso. Octavo, bound in three quarter morocco with gilt titles and raised bands to the spine, patterned endpapers, frontispiece portrait of the poet by Pablo Picasso. Association copy, inscribed by both Apollinaire and Pablo Picasso on front free endpaper, “A A P.N.Continue reading "Alcools: Poems (1898-1913). Avec un Portrait de L’Auteur par Pablo Picasso."
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Two sheets from an exceptionally rare privately produced mimeographed printing of Howl, preceding the first edition. One of 25 copies printed on rectos only in purple ink typed by the poet Robert Creeley and printed by Marthe Rexroth at S.F State, where she was a secretary, for the famous Six Gallery reading (also known as SixContinue reading "Howl, for Carl Solomon. Mimeographed for the Six Gallery Reading."
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